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Daniel Simon


Photo by Alba Simon

Daniel Simon is a poet, essayist, translator, and WLT’s assistant director and editor in chief. His previous book, the edited volume Nebraska Poetry: A Sesquicentennial Anthology, 1867–2017, won a 2018 Nebraska Book Award. His most recent edited collection, Dispatches from the Republic of Letters: 50 Years of the Neustadt International Prize for Literature, was published by Deep Vellum’s Phoneme imprint in 2020 and was nominated for a 2020 Foreword INDIES Award.

  • Walter and Alvaro
    September 25, 2013 | Daniel Simon
    Walter Neustadt Jr. (left) and Álvaro Mutis at the Neustadt banquet, University of Oklahoma, October 18, 2002 The editors and staff of World Literature Today were greatly sadden...
  • Daniel Simon
    Daniel Simon  The themes of “Turning Thirty” have an archetypal feel to them—sickness, death, rebirth, forbidden love, truth, happiness, naming, freedom, madness, fear, solitude. Do y...
  • Daniel Simon
    When does a life bend toward freedom? grasp its direction? Adrienne Rich, “Inscriptions,” 1991–95 In an essay on “The Homoerotics of Travel,” Ruth Vanita proposes mobility as a def...
  • Daniel Simon
    In an essay first published in these pages eighty years ago, Albert L. Guérard wonders whether there is an “intimate and inevitable connection between nationality and literature” (April 1933). While...
  • May 30, 2013 | Daniel Simon
    Recent issues of WLT have featured Tahmima Anam (Bangladesh), Marina Carr (Ireland), and Julia Franck (Germany) on the cover. Two weeks ago, in a post on Words Without Borders, Alis...
  • Daniel Simon
    All the world’s a stage. – Shakespeare When I went to Boston in March to attend, for the first time, the annual Association of Writers & Writing Programs (AWP) conference, everything abo...
  • March 18, 2013 | Daniel Simon
    Photo by Jonathan Stalling Two weeks ago, at the 2013 conference of the Association of Writers & Writing Programs in Boston, I spoke on the panel “Looking Out: American Journals on the World Stag...
  • Daniel Simon
    “It’s been said of Picasso that he studies an object like a surgeon dissects a corpse. We want no more of these embarrassing corpses, these objects. Light i...
  • Daniel Simon
    In Beauty Bright, Gerald Stern, W. W. Norton, 2012 In “Four Crises,” an essay in his 2012 collection Stealing History, Gerald Stern writes: “Humans, because of their minds, because o...
  • Daniel Simon
    Think of consciousness as a territory just opening to settlement and exploitation, something like an Oklahoma land rush. Put it in color, set it to music, frame it in images. . . . – Saul Be...
  • Daniel Simon
    In the spirit of the dead, the living, and the unborn, empty your ears of all impurities, o listener, that you may hear my story. - Ngũgĩ wa Thiong'o, Wizard of the Crow (2006) Article 6 of...
  • Daniel Simon
    The forgetting happens only when memory is quashed by routine, when the bike is just a quotidian vehicle for getting from one place to the next. – Eric Freeze, “Hemingway on a Bike,” Harv...
  • Daniel Simon
    If poets as far-flung as France, Cuba, India, and Nicaragua comprised the avant-garde of literary modernism, a lookout in a turret in Chicago, Illinois, saw the invasion coming to America and, instea...
  • July 16, 2012 | Daniel Simon
      Since the early 2000s, World Literature Today has been gingerly dipping a toe into the fast-flowing waters of the World Wide Web. In the early years, we started out by hosting a basic webs...
  • Daniel Simon
    The unbearable darkness of being.” That’s what the plays of Marina Carr, the 2012 Puterbaugh Fellow (page 42), are about, according to Melissa Sihra, professor of drama at Trinity College Du...
  • Daniel Simon
    No one in these days needs to be convinced that thoughts are powerful weapons, and we of Books Abroad like to believe that our publication is, in its way, an instrument of peace as well...
  • Daniel Simon
    In the end, it's about stories, and if I've learned one thing in fifteen years of being a foreign correspondent, only stories matter. – Anthony Shadid, "The Truths We Tell: Reporting on Faith, War...
  • Daniel Simon
    At the age of twenty, I became an accidental jazz aficionado at the same time I became an accidental English major. Two years earlier, when I entered the University of Nebraska–Lincoln as a freshman,...
  • Daniel Simon
    Daniel Simon, Assistant Director and Editor in Chief . . . there never was a match in the space between two nothings just a cry at either end and all that dazzling light. —Mona Nicole Sfeir, "Laws o...
  • Daniel Simon
    Daniel Simon, Assistant Director and Editor in Chief "We all keep trying to make sense in language of a world that baffles, amuses, and appalls us." – Virginia Euwer Wolff, April 25, 2010 (email) T...
  • Daniel Simon
    Daniel Simon, Assistant Director and Editor in Chief O my country, I can see the walls and arches and the columns and the statues and lonely towers of our ancestors, but I don't see the glory. —Gia...
  • Daniel Simon
    Daniel Simon, Assistant Director and Editor in Chief It is the inability to be contained . . . that has allowed contemporary poetry to rethink language into a method of enlarging the sayable, and th...

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