Essays
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A scene from the Metropolitan Opera’s production of Satyagraha. Photo: Ken Howard/Courtesy of LA Opera During a 1969 trip to India, composer Philip Glass was compelled to learn...
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The O-Töne literary festival brings hundreds of people to the central square of MuseumsQuartier. Photo courtesy of O-Töne. At the new Literaturmuseum, nestled in a historic building on Johannesgasse...
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An overgrown yard at a factory where statues of Lenin and other Soviet leaders used to be made. Photo: Philip Metres In the Den of the Voice” is part of The More You Love the Motherland...
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Photo: A still from “This is America” by Childish Gambino Poet Ladan Osman considers how Childish Gambino obliterates rooted acts of black optimism and expression, leading us to underst...
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A monument to Don Quixote in Tandil, Argentina. Photo: Carlos Barengo/Pixabay China is so peculiarly revealing in its essence that few authors can approach it without unveiling their inn...
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Still from Still Tomorrow (2016), dir. Jian Fan, produced by Youku Tudou, Inc. She is a subsistence farmer with a ninth-grade education and a disabled person with speec...
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left Claribel Alegría, 1953. right Flakoll-Alegría family, 1959. Left to right: Patricia, Erik, Claribel, Karen, Maya, Bud. Photos used by permission of Er...
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photo: three-shots/pixabay As readers, we all carry prejudices, but acknowledging a wider range of normals makes the difference between “I don’t understand your normal” and “I refuse to...
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Editorial note: This sidebar appears with Erik Gleibermann’s essay “Inside the Bilingual Writer” in the same issue M arlon James’s use of Jamaican Patois in his 2015 Booker Prize–winning nove...
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Daniel Alarcón, Julia Alvarez, Sandra Cisneros, Edwidge Danticat, Junot Díaz, Ha Jin, Esmeralda Santiago, and Gary Shteyngart. Illustration by Jen Rickard Blair Through a series of interviews, E...
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Mohammed Ghani Hikmat’s Save Iraqi Culture sculpture, featuring ancient Sumerian cuneiform script, is located in Baghdad’s Mansour District. The figure with multiple hands represents the dif...
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illustration: jen rickard blair On the fiftieth anniversary of Richard Brautigan’s Trout Fishing in America, an Iranian writer (and devoted Brautigan reader) considers how he, perhaps ev...
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Offering tea in the Qadia/Rwanga IDP (internally displaced persons) camp, in the western Dohuk governorate of northern Iraq. As of February 2017, the population of the camp was 14,762 (including some...
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Border village in winter, Turkey. Photo: Nedret Benzet Returning to the Bulgaria of her childhood, the author chronicles the insidious damage that a culture of hard borders inflicted on its sur...
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Photo: Daniel Tellman / Flickr Societies venerate their storytellers almost as much as the stories. We talk about the wonders that stories can create, the ways they can change t...
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Clockwise from Top: Ama Ata Aidoo, Aracelis Girmay, Patricia Jabbeh Wesley Taking stock of the African Poetry Book Fund’s project to bring contemporary African poetry into the f...
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Each year, writers and musicians from across the globe converge in Kosovo for the three-day Festival of Literature in Orllan, a vibrant celebration of local and international literature. Here, poe...
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Isolation: Companion of Conscience, by Georgitta J. Valiyamattam Iconoclast Indian novelist Aravind Adiga’s Last Man in Tower, set in the maximum city of Mumbai, is not only the...
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Remnants of an oil spill in the Niger Delta. Photo: Michael Uwemedimo / cmapping.net Niger Delta poet Ebi Yeibo’s verse lyrically engages the Nigerian nation on looming postindependence issues wh...
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Portrait of “the master of the ghazal” Ghalib, by Urdu Shayar. Dinodia Photos / Alamy Stock Photo Poetry is of course a universal art, but is it possible for a particular poetic form to be not only u...
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www.flickr.com/people/limone51 After you died, I couldn’t hold a funeral, so my life became a funeral.After you were wrapped in a tarpaulin and carted awa...
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A group of women stripped naked in broad daylight to protest against the brutality of the Assam Rifles army contingent (July 2004). Braiding together an epic story and India’s ongoing su...
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“One Foot Wrong” by Parée Erica. Parée Erica/Flickr Against the background of the Polish parliament’s consideration of a law that would effectively ban abortion and the ensuing protests,...
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Photo: Flickr.com/people/nex230 Do we need a special issue devoted solely to women writers? Indeed we do. Author and translator Alison Anderson explains why. Do we still need magazi...
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Guðrún Kristjánsdóttir, Snow Symbol I, 2015, 100 x 100 cm, oil on linen. Photo by Pétur Thomsen. In these philosophical meditations for a Reykjavík art exhibit, Icelandic author Oddný Eir looks i...