News & Events
September 2, 2015
September 2, 2015
Find your favorite authors featured in WLT or browse the entire list.
Lucy Durneen (lucydurneen.co.uk) lectures in English and creative writing at Plymouth University, UK, and is assistant editor of Short Fiction. She has published stories in various literary journals, been shortlisted for the Bridport Prize and highly commended in the Manchester Fiction Prize, and recently completed her first collection of short stories.
Eric Ellingsen uses bio-spaces to squat bio-poems.
This morning I couldn’t get my bio lines to read rite, so I took a bit out
of the hand drill and inserted all my two-year-old’s red crayons
drawing the red line. Then I went upstairs and read, instead
of “state,” let us all be heads of lettuce, drawing on Khlebnikov.
Whatever you throw into the eternal circumstance, have a good time.
Born in Iran, Mohsen Emadi is the award-winning author of four verse collections and numerous poetry translations; the poems featured in the print edition of the January issue come from a collection called “Standing on Earth.” Emadi is the founder and manager of Ahmad Shamlou’s official website and The House of World Poets, a Persian anthology featuring more than five hundred international writers. He currently lives in Mexico City.
George Evans is the author of five books of poetry published in the United States and England, including The New World (2002) and Sudden Dreams (1995). His poetry, fiction, essays, and translations have been published in literary magazines throughout the U.S. and in Australia, England, France, Ireland, Japan, Nicaragua, and Viet Nam. His honors include writing fellowships from the National Endowment for the Arts, the Lannan Foundation, the California Arts Council, and a Japanese government Monbusho Fellowship for the study of Japanese literature. He has also co-translated The Violent Foam: New and Selected Poems (2002), by his wife, Nicaraguan poet Daisy Zamora; The Time Tree (2003), poems by Vietnamese poet Huu Thinh; and edited the two-volume correspondence of Charles Olson and Cid Corman. An antiwar activist veteran of the Viet Nam War, he is one of the subjects of the recent radio series Shared Weight, a six-episode program addressing the impact of war on culture and society, produced for National Public Radio (NPR) by the Center for Emerging Media at WYPR in Baltimore.
Brian Fanelli’s poetry has been nominated for a Pushcart Prize and has appeared in a number of magazines and journals, most recently Oklahoma Review, Spillway, Boston Literary Magazine, Portland Review, and Third Wednesday. Fanelli is the author of one chapbook, Front Man (Big Table Publishing), and the full-length collection All That Remains, forthcoming soon from Unbound Content. Prior to working as a full-time English instructor at Lackawanna College, Fanelli worked a number of jobs, including country clerk, factory worker, and adjunct instructor. He has an MFA from Wilkes University and is currently a PhD student at SUNY Binghamton.
Nuruddin Farah (b. 1945) was born in the Italian-ruled southern region of Somalia, Baidoa. His mother was a traditional storyteller, and his father was a merchant who later worked for the British government as an interpreter. Farah lived in a multilingual environment and learned to speak Somali, Amharic, English, Italian, and Arabic. When he began to write, Farah chose English as the language of his works. His first novel, From A Crooked Rib (1970), depicts the authoritarian role of patriarchy in African society and earned Farah praise as a "male feminist." The publication of his second novel, A Naked Needle (1976), angered the Somalian dictatorial regime and finally forced Farah into exile after receiving death threats. Farah would not return to live in Somalia again, but his lifelong pursuit is to keep his country through his writing.
Forugh Farrokhzad (1935–1967) was an Iranian poet and filmmaker. Her published works include The Captive, The Wall, Rebellion, Reborn, and Let Us Believe in the Dawn of the Cold Season. She broke with many traditional conventions and thus exercised an immeasurably important influence on modern Iranian poetry.
Julia Fiedorczuk (b. 1975) is a Polish poet, prose writer, translator, and lecturer in American literature at the University in Warsaw. She has published five books of poetry, a collection of short stories, and a novel. Her first book, November on the Narew, was awarded the prize for the best debut of the years 2000–2003 (Poznań, 2003). She is also a recipient of the Hubert Burda Preis (Vienna, 2005). Her work has been translated into nineteen languages.
Nancy Finn teaches dramatic literature and Irish studies in the English Department at the University of Massachusetts Boston, and theater studies in the Performing Arts Department at Emerson College. She received her PhD in theater from the University of California at Santa Barbara. Her research interests include modern and contemporary Irish theater and drama, contemporary women playwrights, and theater historiography. She is also an actor and dramaturge. She is currently writing a monograph on the work of Marina Carr.
A native of Naples, Peppe Fiore lives and works in Rome. In addition to Nessuno è indispensabile, he is the author of two short-story collections and a second novel, La futura classe dirigente (The future ruling class). His interest in writing about the world of work, he says, is tied to the way “working life becomes a useful framework for understanding how we function as a species.”
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