Taking Back Jerusalem
Let me be
brief: by the end of this,
someone will be cursed & I pray it anyone
but Him. Let me start
again: the night was beautiful but not
romantic. Sure,
there was smoke & moon
-light. From this angle,
you could almost mistake the city
for american. There were seven, all of us born
of this country before this country
existed. It was ours
the way a street cat is mothered
by thin air. Still, we called this
a reclamation. A taking
back: the sign reading cameras in use
outside an unlit jewelry store,
the palm trees dancing
like they could belong here – city of gravel
throat & temple’s cry – of gold
-blessed forehead & confluenced
histories – how many waters
anointed & claimed you
inheritance? How many hands
un-sanctuaried you by birth
-right & con
-quest? A name, however holy
can be a story of unimaginable
distance. We could only exit you
by the mouth through which we entered
& there, we first saw Him:
shadow folded in shadow
speaking hushed & hurried Arabic
& for the first time that night,
a familiar I could but couldn’t
have known: a boy with moonlit tongue
promising his mother he’ll make it
back with every breath – peering
around the corner: a soldier, his
gun, that precise small
-ness – I couldn’t unsee him
or Him, couldn’t uncast that smile
from his nodding face, our mouths
pretty with english – he stopped
one of us. he searched
only one of us. & there, I remembered
my mother, begging God to watch
over us in Jerusalem, where,
at four years old, a soldier held a gun
to her head & maybe it was or wasn’t
at this exact spot, & maybe she prayed
for the wrong son but in that moment,
I prayed. & there was no God
but the space between us – how the distance
between my holy & His
holy could resurrect a broken
lord on my breath – & there I began
to understand how my mother could
abandon her birthright –
& I suppose, she made it out.
Alive, depending on your frame
of reference. & so did we. & by
some magic, so did that Boy, caught
with the wrong God on His
breath in His holy city. Forgive me.
I’m trying to understand what makes
one’s existence, at a fixed location, a radical
act – divine even – & what makes
the existence of another, near a specific body
of water, a violence. Forgive me. I wrote this
in an american airport
& its magic escaped me.
More by George Abraham
Summer 2021
The expanded Summer 2021 issue of World Literature Today foregrounds Palestine Voices in a cover feature showcasing 30 of the most prominent poets and writers from the West Bank, Gaza, Jerusalem, Tel Aviv, and the diaspora, guest-edited by Yousef Khanfar + poetry & fiction from Hong Kong, Hungary, and South Korea. At 128 pages, the issue is bursting at the seams with the best poetry, fiction, essays, interviews, and book reviews from all over the world!
Table of Contents
