Table of Contents

• Editor’s Note
  by Daniel Simon

Art Poetry

• INTRO “Crossing the Liminal: Why Write Poetry About Art?,” by Lauren Camp
  by
• Two Poems, by Circe Maia
  by
• Two Poems
  by Hedy Habra
• ESSAY & PHOTO GALLERY WEB EXCLUSIVE
  Rivers of Letters, Rivers of Mud: Reflections on Raquel Rabinovich
  by Marjorie Agosín
• Two Poems, by Ravi Shankar
  by
• Two Poems, by Lauren Camp
  by
• ESSAY WEB EXCLUSIVE
  When Language Meets an Ecosystem
  by Denise Newman, Hazel White
• Two Poems, by Wafaa S. Jdeed
  by
• WEB EXCLUSIVE
  The Canvas of Encounter. Tàpies
  by Andrés Sánchez Robayna
• “Of the Morrow’s Sweet Expanse (Diptych),” by Rita Malikonyte Mockus
  by
• “Suddenly there is the horse,” by Tatiana Oroño
  by
• Five Spanish Art Poems, by Ramón Gaya, Eduardo Mitre, Andrés Sánchez Robayna, Mario Arteca, José Mateos
  by
• INTERVIEW WEB EXCLUSIVE
  “If We Change the World We Also Change Its Meaning”: An Interview with Syrian Poet Adonis
  by Erkut Tokman

Political Voices from the Maghreb

• EXCERPT “The Funerals (an excerpt ),” by Rashid Boudjedra
  by
• ESSAY “Who Killed Matoub Lounès?,” by Christopher Schaefer
  by
• POETRY “The Illiterate Man,” by Ahmed Bouanani
  by

Fiction

• “Gray,” by Dung Kai-cheung
  by
• “Boy out of Time,” by Lois Taylor
  by

Interviews

• “Be Humble, Notice Everything, and Be Fair” A Conversation with Orhan Pamuk, by Erkut Tokman
  by

Poetry

• Three Poems, by Lola Créïs
  by

In Every Issue

• City Profile: Moscow
  by
• What to Read Now: “Unlikely Works of Iranian Origin,” by Porochista Khakpour
  by Porochista Khakpour
• Translator’s Note: “Translating Hong Kong’s Ambiguities,” by Bonnie S. McDougall
  by
• New Books: “Flashbacks,” by Amy Lantrip
  by
• World Music: “A Brief History of Tango,” by Rob Vollmar
  by Rob Vollmar
• Editor’s Pick: The Book of Tokyo: A City in Short Fiction
  by Michelle Johnson
• Outpost: “[email protected]é,” by Courtney Gilman
  by

International Crime & Mystery

• “The Evaporation of the Extraordinary Gentleman: S. S. Van Dine’s Rules,” by J. Madison Davis
  by