Daniel Simon


Photo by Alba Simon

Daniel Simon is a poet, translator, and WLT’s assistant director and editor in chief. His latest book, the edited volume Nebraska Poetry: A Sesquicentennial Anthology, 1867–2017, won a 2018 Nebraska Book Award.

  • A photo fo Manuel García Verdecia hugging Alice Walker juxtaposed with the cover to her translated novel Merediana
    Manuel with Alice / Courtesy of alicewalkersgarden.com In conjunction with Erik Gleibermann’s interview with Alice Walker that headlines the November issue of  World Literature...
  • The cover to Hearth: A Global Conversation on Community, Identity, and Place
    Hearth: A Global Conversation on Community, Identity, and Place Ed. Annick Smith & Susan O’ConnorMilkweed Editions In many of the essays and poems in this remarkable new collection, the...
  • A photo of The Student Advisory Board officers for 2018–2019 (clockwise from top): Reid Bartholomew, James Farner, Kayla Ciardi, and Abi Clarke
    The Student Advisory Board officers for 2018–2019 (clockwise from top): Reid Bartholomew, James Farner, Kayla Ciardi, and Abi Clarke ABOUT A DOZEN YEARS AGO, when World Literature Today firs...
  • November 2018 issue cover
    . . . like a premonition of eternity. – Xavier Bordes M ost writers and—by extension—artists take the brute facts of existence as a starting point, then fashion their work with vary...
  • September 2018 issue
    That the ears might hear what the eyes can’t see.– Monchoachi From vinyl collections to mixtapes to digital playlists, music aficionados have always curated their favorites alongside bookshe...
  • July 2018 issue
    How does one become a writer? For German novelist Jenny Erpenbeck, it was less epiphany than the gradual accretion of circumstance and intention. Here is what she told Haaretz in 2011: “I tu...
  • May 2018 cover
    Not only is World Literature Today one of the oldest continuously published magazines devoted to international literature, but a remarkable continuity has prevailed on our masthead page in th...
  • The cover to The Art of Death by Edwidge Danticat
    The Art of Death Edwidge Danticat Graywolf Press (2017) It might seem odd to focus on a book called The Art of Death as spring approaches (at least in the Northern Hemisphere), but we all know about t...
  • WLT EIC Daniel Simon
    Well, Lord, this / infinitesimal speckcould fill the universe with praise. – Marilyn Nelson, “The Dimensions of the Milky Way”   W hen Marilyn Nelson delivered her keynote talk, “Bow...
  • WLT EIC Daniel Simon
    Thou shall not be a perpetrator; thou shall not be a victim; and thou shall never, but never, be a bystander.– Yehuda Bauer   Just this morning, as I began drafting my note for the current i...
  • WLT EIC Daniel Simon
    The project advanced by this forum is urgent: individually and collectively to contest the pitched, pervasive, pernicious intolerance of our age. – H. L. Hix, “Belief in an Age of Intolerance...
  • A moody oil painting of a funeral taking place on a grassland with multiple figures in black that almost blend into the landscape around them.
    Harvey Dunn, I Am the Resurrection and the Life, 1926 / Courtesy South Dakota Art Museum, Brookings, South Dakota For more, read two new poems by Ted Kooser. While in Lincoln to attend the r...
  • Every story had a face, a first and last name, a mother or son, brother or sister, losses and days of triumph.– Leonora Flis, “Zeroes” The haunting photograph on the cover of this issue, by...
  • Daniel's editor's pick books
    Editor in Chief Daniel Simon picks three books that promise to unsettle, console, and inspire. Anne Carson Float Random House I fo...
  • WLT EIC Daniel Simon
    In the spring 1992 issue of World Literature Today, published to mark the quincentenary of Cristoforo Colombo’s encounter with the New World, Robert Berner writes: “The fact of the matter is...
  • The Flavor of Unity: Post-Election Poems
    Kim Stafford The Flavor of Unity: Post-Election Poems Little Infinities, 2017   Are you dreading the future after reading all the dystopian lit in this issue, or feeling paralyzed by the ge...
  • WLT EIC Daniel Simon
    How could utopia fail?  – Elizabeth Fifer, “Dead Reckoning” In László Krasznahorkai’s 1989 novel, The Melancholy of Resistance—published the same year Hungarian communism collapsed a...
  • A photo of WLT EIC Daniel Simon
    Language written in the aftermath of extremity [arises] not from recollection in tranquility but from wanderings in a debris field. – Carolyn Forché, “An Inexhaustible Responsibility...
  • Daniel Simon
    In a country as big as America it is as impossible to prophesy as it is to generalize, without being tripped up, but it seems to me that there is room for hope as well as mistrust. The epic loses...
  • Daniel Simon
    To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck....
  • The Black Flower and Other Zapotec Poems
    Trans. Clare SullivanPhoneme Media, 2015 In an essay published in the January 2012 issue of World Literature Today, Clare Sullivan notes that poets who write in Zap...
  • WLT editor in chief Daniel Simon
    . . . we sleep in the tents of the prophets . . . sing so that distance may forget us. . . . Ours is a country of words. – Mahmoud Darwish, “We Travel Like All People,” trans. Fady Joudah, in...
  • Daniel Simon
    To celebrate World Literature Today’s ninetieth year of continuous publication, I’m pleased to announce the 2016 Puterbaugh Essay Series, a yearlong suite of review-essays that survey the tw...
  • Daniel Simon
    Some days light is the color of all / my losses.—Lauren Camp, “Alma’s Stripes” Do poems have dimensions? We know they occupy space on the page, but can we measure verse the way we measure con...
  • Daniel Simon
    I noticed he was wearing white summer gloves and knew at once it was for poetry’s stigmata.—Zsuzsa Takács, “Masters Whose Doorsteps” Psalm 51, known to many by its opening lines in...

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