Daniel Simon
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Ghislaine Lejard, l’ombre (2020), 6.5 x 7.5 cm, torn paper glued on cardboard / Reproduced by permission of the artist I tame shadows each day I descend further into their world and...
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June 10, 2021 |
Photo by NCinDC / Flickr He said: Why must they destroy and destroy again? Why must they forget my face my gestures my voice? Why must they believe in my absence even as I stand in front of th...
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May 15, 2017 |
Giovanni Bellini, Pietà (1505), oil on wood, 65 x 90 cm, Gallerie dell’Accademia, Venice For more on the poetry of Pollakówna, read “A Terrible Ecstasy,” a companion essay by Alice-Cathe...
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September 13, 2016 |
Quinn Dombrowski, “Velvet Flower,” 2008 For more, read “The Renaissance of Zofia Romanowicz,” an essay by Alice-Catherine Carls. The Circle Lion fangs, bear claws,...
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Antoni Tàpies, Porta metàl·lica i violí, 1956, 200 x 150 x 13 cm. Back then I learned that the painter’sgesture contains both the movement of the planetand the blade of grass on the mountain...
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On the eve of his thirtieth birthday, the narrator recounts three near-death experiences and his journey from Morocco to France. With nods toward Dostoevsky and Genet (echoing the Lazarus scene be...
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Translator’s note: Roubaud wrote the first poem, “À cinq heures du soir” (itself a nod to Lorca’s famous “La cogida y la muerte”), about Warren Motte’s dog Lucy, who shared with her owner a g...