Poetry on Screen: Five Films Inspired by Poetry

April 24, 2013

The Man from Snowy River (1982, Australia)

The Man from Snowy River

Director: George Miller; Screenplay: Cul Cullen, John Dixon; Poem: Banjo Patterson (same title)

Jim Craig is eighteen when his father dies, and to keep the family farm from going under, he goes to work in the lowlands. Based on the epic poem by Banjo Patterson, The Man from Snowy River narrates a coming-of-age story of a young man proving his worth and falling love.

 

Pan Tadeusz (1999, Poland)

Pan Tadeusz

Director: Andrzej Wajda; Screenplay: Jan Nowina-Zarzycki, Andrzej Wajda, Piotr Weresniak; Poem: Adam Mickiewicz (same title)

In the 1800s, when Poland was a part of Lithuania under Russian occupation, the people believed they would receive independence by joining Napoleon during his invasion. But a twenty-year feud between two families makes revolt difficult for one district.

 

The Color of Pomegranates (1970, Armenian SSR)

The Color of Pomegranates

Director: Sergei Parajanov; Screenplay: Sergei Parajanov; Poet: Sayat Nova

The Color of Pomegranates is a biographical film based on the life of the Armenian troubadour Sayat Nova. Using his poems for narration, the film depicts his life as he grows up, falls in love, enters a monastery, and dies.

 

The House is Black (1963, Iran)

The House is Black

Director/writer: Forugh Farrokhzad; Poems: Forugh Farrokhzad

The film is a documentary of the lives of lepers living in the Behkadeh Raji leper colony in northern Iran. Using the Qur’an and Old Testament verses, and her own poetry, Forugh Farrokhzad portrays the beauty and ugliness of life.

 

Rime of the Ancient Mariner (1975, U.S)

Rime of the Ancient Mariner

Director: Raul daSilva; Biography/additional materials: Donald Moffitt; Poem: Samuel Taylor Coleridge (same title)

The epic poem by Samuel Taylor Coleridge, about a sailor returning home after a long voyage, is given new life in the film directed by Raul daSilva. DaSilva combines the poem, read by British actor Sir Michael Redgrave, with visual effects of photoanimation and musical elements to enhance the reading.

Melissa Weiss is a former WLT intern.